Works Cited Page

Citations for Serial (2014) Podcast:


Koenig, Sarah. “Season One.” Serial, 2014, 

Koenig, Sarah. “Season Two.” Serial, 2015,


Baelo-Allue, Sonia. “Transhumanism, Transmedia and the Serial Podcast: Redefining Storytelling in Times of Enhancement.” International Journal of English Studies, vol. 19, no. 1, Jan. 2019, p. 113. EBSCOhost, doi:10.6018/ijes.335321.

Berry, Richard. “A Golden Age of Podcasting? Evaluating Serial in the Context of Podcast Histories.” Journal of Radio & Audio Media, vol. 22, no. 2, Nov. 2015, pp. 170–178. EBSCOhost, doi:10.1080/19376529.2015.1083363.

Boling, Kelli S., and Kevin Hull. “Undisclosed Information—Serial Is My Favorite Murder: Examining Motivations in the True Crime Podcast Audience.” Journal of Radio & Audio Media, vol. 25, no. 1, May 2018, pp. 92–108. EBSCOhost, doi:10.1080/19376529.2017.1370714.

Dowling, David O., and Kyle J. Miller. “Immersive Audio Storytelling: Podcasting and Serial Documentary in the Digital Publishing Industry.” Journal of Radio & Audio Media, vol. 26, no. 1, May 2019, pp. 167–184. EBSCOhost, doi:10.1080/19376529.2018.1509218.

Other Sources:

Davis, Tiffany. “Metanarrative and Metafiction in ‘Serial’ Podcast.” Literature in the Modern World, 

Kiernan @louisekiernan, Louise, and Louise Kiernan. “‘Serial’ Podcast Producers Talk Storytelling, Structure and If They Know Whodunnit.” Nieman Storyboard, 12 Feb. 2020, 

Larson, Sarah. “What ‘Serial’ Really Taught Us.” The New Yorker, 2014, 


Serial Logo: 

Prom picture:

Bowe Bergdahl:

Citations for Christopher Nolan content:


Nolan, Christopher, director. MementoTubi, 2000, 


Academic Sources:

Bernard, Catherine. “Christopher Nolan’s Inception: Spectacular Speculations.” Screen, vol. 58, no. 2, 2017, pp. 229–236. EBSCOhost,,shib&db=mzh&AN=2019441180&site=eds-live&scope=site.

Novak, Phillip. “‘It’s Like Waking’: Making Meaning in and of Christopher Nolan’s Memento.” Journal of Film and Video, vol. 71, no. 4, 2019, pp. 29–50. EBSCOhost,,shib&db=mzh&AN=202016563058&site=eds-live&scope=site.

Phil, Edwin Tan Leng. “The Grey Area in a Black and White World – Duality in Christopher Nolan’s Films.” Pertanika Journal of Social Sciences & Humanities, vol. 28, no. 1, Mar. 2020, pp. 589–604. EBSCOhost,,shib&db=hlh&AN=142646897&site=eds-live&scope=site.

Winchur, Drew. “Ideology in Christopher Nolan’s Inception.” CineAction, no. 88, June 2012, p. 44. EBSCOhost,,shib&db=edsglr&AN=edsglr.A305562551&site=eds-live&scope=site.

Other Sources:

Diaz, Jonny. “Christopher Nolan: Postmodern Master.” Rough Cut, Rough Cut, 2 Aug. 2020, 

Kiss, Miklos. “Narrative Metalepsis as Diegetic Concept in Christopher Nolan’s Inception (2010).” ACTA Univ. Sapientia, Film and Media Studies, 2012, 

Russell, Justin. “How Christopher Nolan Exploits Film Structure to Heighten Narrative.” Pop Culture Bento, 13 Jan. 2020, 

Scott, Ryan. “Christopher Nolan and Complex Narratives.” So The Theory Goes, 13 Sept. 2020, 

Embeded links:

Memento trailer:

Inception trailer:

Memento Explained:

Inception Interview:


Memento poster: 

Inception poster:


He killed my wife:

Spin top:

A dream within a dream:

Other Graphics:

Polaroid 1:

Polaroid 2:

Citation graphic:

Rewind graphic:

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